🎰 The Dark Internet History of Clams Casino's Cult Song 'I'm God' - VICE

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Michael Volpe (born May 12, ), known professionally as Clams Casino, is an Italian-American record producer and songwriter from Nutley, New Jersey. Volpe is currently signed to Columbia Records and Sony Music. He has produced tracks for artists such as ASAP Rocky, Lil B, Vince Staples, Clams Casino cleared the Imogen Heap sample for his instrumental "I'm God".


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The Dark Internet History of Clams Casino's Cult Song 'I'm God' The Weeknd, Mac Miller, ASAP Mob, Schoolboy Q, Lil Peep, Kelela, FKA.


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A history of ASAP Rocky's work with producer Clams Casino. The hype for ASAP Rocky's second album continues to grow, but Flacko's been.


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The following list is a discography of production by Clams Casino, an American record producer. It includes a list of songs produced and co-produced by year, artist, album and title. Contents. 1 Lil B - 6 Kiss. 2 A$AP Rocky – Live Love Asap; Lil B – Angels Exodus; Lil B – I'm Lil B – God's Father; Mac Miller – Macadelic; ASAP Mob – Lords.


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Hardly known a year before, Clams Casino finished as the name on everyone's Getting back to “I'm God,” it seems that specific Imogen Heap sample has you told me the origins of this next record we're gonna play by A$​AP Rocky.


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rating.spinmoneygames.site › wiki › Clams_Casino_(musician).


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Michael Volpe (born May 12, ), known professionally as Clams Casino, is an Italian-American record producer and songwriter from Nutley, New Jersey. Volpe is currently signed to Columbia Records and Sony Music. He has produced tracks for artists such as ASAP Rocky, Lil B, Vince Staples, Clams Casino cleared the Imogen Heap sample for his instrumental "I'm God".


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The Dark Internet History of Clams Casino's Cult Song 'I'm God' The Weeknd, Mac Miller, ASAP Mob, Schoolboy Q, Lil Peep, Kelela, FKA.


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The bass connects with crashing cymbals and an echoing chorus of holy chants. The formula was already there--druggy, a little depressed--but a sound and a swag so pure you can't help but be inspired. Of course, it goes vice versa, too. Thanks for sharing! Rocky stands atop a muted pop melody that eventually decays into a beautiful static. By Angus Walker. The first Clams Casino beat Rocky ever got his hands on, before the pair ever met each other. Even with the instrumental alone, it's near impossible not to hear Rocky rapping, "See me in the hood, the gangstas saying wassup". Image via YouTube. Image via Michael Loccisano. Let's hope to get that number back up this time around. Clams discovered Rocky online, liked his style, and reached out to send him some beats. Image via FACT. New age street royalty. They brought the world a brand of hip-hop that's emotional, druggy, and chalked full of swag; clique anthems that are simultaneously turned up and down. We also know one of Rocky's main producers, Clams Casino , will be back--and, for now, that's enough to keep us going. This time, he takes a sample of female pop trio Haim singing the word "love". We also get verses from Mondre M. Opening with a chilling recording of Ol' Dirty Bastard--"we some partying motherfuckers"--"Leaf" starts out on an ominous note, with Rocky airing all his grievances: "jackers", "backpackers", "hipsters", "phony niggas" Though Clams is careful to leave room for Rocky's shit-talking, letting drone-y murmurs float in the background, he injects a serious kick drum attack right when Rocky gets most vicious: "little bit of that, little bit of this, get off my dick". Santigold drops a gorgeous hook, mimicking Clams' barely audible synth melody, that captures that pop energy for just enough time before Rocky's back to preaching his high-fashion ghetto gospel. Rocky had already recorded over "Demons", and it sounded so good they had to keep it on Live. No one understands Rocky's flow like Clams, and no one rocks a Clammy beat like that pretty motherfucker. He repeats Detroit techno-type synths at different pitches until they melt into a numbing background melody, over which he can really fuck around with his signature vocal mash-ups. Clams distorts and stutters that "love" into something else entirety--a sound with more inherent emotion than the word "love" itself. Sign in with. The opening song to Live. Or, at least, his come-up wouldn't have happened nearly as fast as it did. Over top stands a cocky kid from Harlem intent on bringing the "trill" to East Coast rap. Perfectly executed pretty boy swag from Rocky, another dreamy vocal sample from Clams. Image via Instagram.

The hype for ASAP Rocky 's second album continues to grow, but Flacko's been less forthcoming than most artists when it comes to details. Rapper and producer percent in sync. The gun shot after "Flacko locked and loaded" is another cheeky, but brilliant, touch. The beat speaks to you, even though it's one sample washed over and over again.

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On Rocky's debut album, we only got two Clammy beats. It turns out, he was Rocky's favorite producer. A strange, indescribable mix that still needs to be explored. True to the title, Clams thumps on the bass when it comes time for the hook--first with the screwed vocals, and then in tandem with Rocky steadily repeating the word "bass". Sadly, we only get two on Long. Angus Walker gowangus. This production is an interesting evolution in the Clams sound, forgoing the druggy-ness of earlier productions for something more club-inspired. The way Clams makes the vocals "hum-hum-hum" provides instant gratification.